Project Prep

November 30 – December 4, 2009

It was finally time for the promo video shoot. It seemed like I had been waiting for months for this week to arrive, but the second it did time couldn’t have moved any faster. Everyone was ready to go; the costumes were in the final stages of construction, my choreographer Kendal Bogan was in from Seattle and rehearsing with the dancers, and the rest of the crew was scheduled to arrive in Syracuse for a production meeting/dinner the day before the shoot. Even my first choice location, the Case Supply Building, which I thought had fallen through and had already found a replacement for, ended up becoming available last minute. Everything was running smoothly.

My cast and crew for the promo video included the following positions:

Production

Kelly Bogan – Producer / Director

Christopher Toppino – Producer / Assistant Director
Justin Scuteri – Production Manager

Kristin Lubsen – Assistant to the Director

Camera

Hank Vohrer – Director of Photography
Adam Brown – 1^st Assistant Camera

Grip and Electric

Scott Peters – Gaffer

Bryan Blatt – Gaffer

Hair and Makeup

Liz Lanza’s Hair Salon – Hair – http://lizlanzas.com/

Holly Piselli – Makeup – http://www.a-listartistry.com/

Cast

Erin Christine Scialabba

Mary Claire King

Kendal Bogan

Accessories: Design and Purpose

November 30, 2009

The following is a breakdown of the three accessories I created for the dancers to wear in the promo video.

Two Person Leather Belt aka “The Counter Balance Harness”
The idea for this harness originated from the group auditions held at the beginning of last semester. I had Mary Claire and Erin both wear a harness that connected them to each other with two ropes, each about eight yards long. The purpose of the harness was to constrict the dancers’ movements. Each was forced to respond to every shift in weight experienced by the other. The “Counter Balance Harness” took on a life of its own when I re-designed it with a focus on what the dancers needed to move freely and comfortably. Together, Mary Claire, Erin, and I decided to use leather, as it provided enough structure, flexibility, and stability. This harness became our favorite dance accessory because of the sense of freedom and experimental ability it provided for the dancers.

Three Person Belt
The choice to design a three person belt was an obvious one once we started working on the two person belt. Having three people in belts allows for two dancers to stabilize one dancer as they perform. More weight can be supported with this belt, therefore allowing the performer to conquer more extreme poses and angles.

Fabric Circles
The fabric circle was introduced to the dancers during our last rehearsal. We are still working on mastering the incorporation of this into our performance, but we were attracted to it for the promo video because it provided even more freedom than the harnesses to the dancers. It also doubles as a garment when not in use. The dancers loved experimenting with the fabric circle. It helped them develop more expressive movements than they had with the harnesses. For me, this accessory embodies a more free form version of the harness.